#FUTURE FIGHT THESE DEMONS SONG FREE#

hipster musicians whose weekly music-and-drinking-and-philosophizing sessions became the roots-rock Petri dish out of which Crow formed her band. Her first album, вЂњTuesday Night Music ClubвЂќ (1993), was named after the consortium of L.A. But the darkness wasnвЂ™t going to let her go.

#FUTURE FIGHT THESE DEMONS SONG FREE#

With the help of her friend and future manager, Scooter Weintraub, Crow was able to shake herself free of DiLeoвЂ™s grip. For Crow, this was a nightmare, one that sunk her into the first of several stressed-out depressions. (You might explain that by saying: ThatвЂ™s how great a singer Sheryl Crow is.) The media attention thrust Crow into the spotlight, but things went awry when JacksonвЂ™s manager, Frank DiLeo, a fearsome figure with underworld connections (so authentic was his gangster aura that he was later cast in вЂњGoodFellasвЂќ), told Crow that he wanted to manage her as well - and tried to force the issue, all as a form of sexual harassment. Her first big break was landing a spot as a backup singer on Michael JacksonвЂ™s 1987 tour, and she was already so self-possessed that when she was moved, in her big hair and spandex dress, to center stage to sing the nightly duet with Michael on вЂњI Just CanвЂ™t Stop Loving You,вЂќ the tabloid press went wild, convinced that she and Jackson were having an affair. 'American Idol' Sets a Dozen Stars to Perform on Finale, Including Luke Combs, Chaka Khan, Sheryl CrowД«arry Gibb Duet With Jason Isbell Previews Americana/Country Album With Brandi Carlile, Keith Urban, Dolly Parton, Gillian Welch dawn after a night of partying.ДЄrthur Gunn Breaks Silence on 'American Idol' Finale No-Show

My favorite line of hers has always been the one that comes after вЂњAll I wanna do is have some funвЂ¦вЂќ - namely, вЂњuntil the sun comes up over Santa Monica Boulevard.вЂќ With her starburst smile and electrifying vocal bravado (which was always rock with a drop of country, befitting someone who came from вЂњthe bootheel of MissouriвЂќ), Sheryl Crow was someone you could imagine standing against the rising L.A. She was at the forefront of a revolutionary wave of women in pop - the Lilith Fair generation, from Alanis Morrisette to Sarah McLachlan to Shawn Colin to Paula Cole - but she was also, you could argue, one of the last great rockers to work in the heart-on-the-sleeve, guitar-riffs-on-air tradition of Bruce Springsteen and Tom Petty. But even back in the вЂ™90s, Sheryl Crow was the kind of straight-up, middle-of-the-strike-zone, tasty-licks virtuoso of rock вЂnвЂ™ roll good times who seemed to have been put on earth to make people happy. The pop-music world, in many ways, has only gotten angstier (it would be hard to imagine a mood-poet chanteuse like Billie Eilish commanding arenas 20 years ago).

Future fight these demons song